Modern

1. Bauderlaire, Charles. (translated by Michael Hoke). The Eyes of the Poor
2. Harrison, Charles. Art in Theory : 1900-2000 : an Anthology of Changing Ideas. Blackwell Publishers, 2002. Print. [Read the following sections]
   • Wilhelm Worringer. Abstraction and Empathy, 1908. pp 66-68.
   • Henri Matisse.  Notes of a Painter, 1908 . pp. 69-75.
   • Roger Fry. Essay in Aesthetics, 1909. pp.75-82.
   • Wassily Kandinsky. Concerning the Spiritual in Art, 1911. pp. 82-89.
   • Filippo Tommaso Marinetti. The Foundation and Manifesto of Futurism 1909. pp.146-149.
   • Fernand Leger.  Contemporary Achievements in Painting, 1914. pp.159-162
   • Charles Edouard Jeanneret (Le Corbusier) and Amedee Ozenfant, Purism, 1920. pp. 239-242.
   • Richard Huelsenbeck, First German Dada Manifesto, 1918. pp. 257-259.
   • George Grosz. My New Pictures, 1921. pp. 272-275.
   • De Stijl Manifesto 1, 1918.  pp. 281.
   • Piet Mondrian. Neo-Plasticism: The General Principle of Plastic Equivalence 1920-1. pp. 289-292.
   • Robert Smithson. A Sedimentation of the Mind: Earth Projects, 1968. pp. 877-881.
3. Larice, Michael, and Elizabeth Macdonald. The Urban Design Reader. London: Routledge, 2010. Print.
   • Frederick Law Olmsted Public Parks and the Enlargement of Towns. pp. 28-34.
     
4. Said, Edward W. Orientalism: Edward W. Said. New York: Vintage Books, 2003. Print.
   • The Scope of Orientalism. pp. 29-49.
5. Sullivan, Louis H., “The Tall Office Building Artistically Considered.” Lippincott Magazine, 1896.